1 year ago
She stood a minute in the doorway, aware of the sin she had committed against him, half afraid to come in… . She put out her hand as if to rub his head, but he turned away like a suspicious animal. Nicole could stand the situation no longer; in a kitchen-maid’s panic she ran downstairs, afraid of what the stricken man above would feed on while she must still continue her dry-suckling at his lean chest. Cite Arrow F. Scott Fitzgerald, Tender Is The Night
It was as if for the remainder of his life he was condemned to carry the egos of certain people, early met and early loved, and to be only as complete as they were complete themselves. There was some element of loneliness involved — so easy to be loved — so hard to love. Cite Arrow F. Scott Fitzgerald, Tender Is The Night
For three years Dick had been the ideal by which Rosemary measured other men and inevitably his stature had increased to heroic size. She did not want him to be like other men, yet here were there same exigent demands, as if he wanted to take some of herself away, carry it off in his pocket. Cite Arrow F. Scott Fitzgerald, Tender Is The Night
He guessed that she had had lovers and had loved them in the past four years. Well, you never knew exactly how much space you occupied in people’s lives. Yet from this fog his affection emerged — the best contacts are when one knows the obstacles and still wants to preserve a relation. The past drifted back and he wanted to hold her eloquent giving-of-herself in its precious shell, till he enclosed it, till it no longer existed outside him. Cite Arrow F. Scott Fitzgerald, Tender Is The Night
After dinner and a bottle of the local wine in the deserted dining-room, he felt excited, without knowing why, until he began thinking of the garden. He had passed the girl in the lobby before supper and this time she had looked at him and approved of him, but it kept worrying him: Why? When I could have had a good share of pretty women of my time for the asking, why start that now? With a wraith, with a fragment of my desire? Why? His imagination pushed ahead — the old asceticism, the actual unfamiliarity, triumphed. […] To belittle all these years with something cheap and easy? Cite Arrow F. Scott Fitzgerald, Tender Is The Night

Walking in the garden later when it was quite dark, he thought about her with detachment, loving her for her best self. He remembered once when the grass was damp and she came to him on hurried feet, her thin slippers drenched with dew. She stood upon his shoes nestling close and held up her face, showing it as a book open at a page.

‘Think how you love me,’ she whispered. ‘I don’t ask you to love me always like this, but I ask you to remember. Somewhere inside me there’ll always be the person I am to-night.’

Cite Arrow F. Scott Fitzgerald, Tender Is The Night
England was like a rich man after a disastrous orgy who makes up to the household by chatting with them individually, when it is obvious to them that he is only trying to get back his self-respect in order to usurp his former power. Cite Arrow F. Scott Fitzgerald, Tender Is The Night
Tender Is The Night

“Why did you lose control of yourself like that?”

“You know very well why.”

“No, I don’t.”

“That’s just preposterous — let me loose — that’s an insult to my intelligence. Don’t you think I saw that girl look at you — that little dark girl. Oh, this is farcical — a child, not more than fifteen. Don’t you think I saw?”

“Stop here a minute and quiet down.”

They sat at a table, her eyes the profundity of suspicion, her hand moving across her line of sight as if it were obstructed. “I want a drink — I want a brandy.”

“You can’t have a brandy — you can have a bock if you want it.”

“Why can’t I have a brandy?”

“We won’t go into that. Listen to me — this business about a girl is a delusion, do you understand that word?”

“It’s always a delusion when I see what you don’t want me to see.”

He felt a sense of guilt as in one of those nightmares where we are accused of a crime which we recognize as something undeniably experienced, but which upon waking we realize we have not committed. 

The frontiers that artists must explore were not for her, ever. She was fine-spun, inbred — eventually she might find rest in some quiet mysticism. Exploration was for those with a measure of peasant blood, those with big thighs and thick ankles who could take punishment as they took bread and salt, on every inch of flesh and spirit. Cite Arrow F. Scott Fitzgerald, Tender Is The Night

For him time stood still and then every few years accelerated in a rush, like the quick re-wind of a film, but for Nicole the years slipped away by clock and calendar and birthday, with the added poignance of her perishable beauty.

Even this past year and a half on the Zugersee seemed wasted time for her, the seasons marked only by the workmen on the road turning pink in May, brown in July, black in September, white again in Spring. She had come out of her first illness alive with new hopes, expecting so much, yet deprived of any subsistence except Dick, bringing up children she could only pretend gently to love, guided orphans. The people she liked, rebels mostly, disturbed her and were bad for her — she sought in them the vitality that had made them independent or creative or rugged, sought in vain — for the secrets were buried deep in childhood struggles they had forgotten. They were more interested in Nicole’s exterior harmony and charm, the other face of her illness. She led a lonely life owning Dick who did not want to be owned.

Many times he tried unsuccessfully to let go his hold on her. They had many fine times together, fine talks between the loves of the white nights, but always when he turned away from her into himself he left her holding Nothing in her hands and staring at it, calling it many names, but knowing it was only the hope that he would come back soon.

Cite Arrow F. Scott Fitzgerald, Tender Is The Night
Sometimes it is harder to deprive oneself of a pain than of a pleasure and the memory so possessed him that for the moment there was nothing to do but pretend. […] One writes of scars healed, a loose parallel to the pathology of the skin, but there is no such thing in the life of an individual. There are open wounds, shrunk sometimes to the size of a pin-prick but wounds still. The marks of suffering are more comparable to the loss of a finger, or of the sight of an eye. We may not miss them,either, for one minute in a year, but if we should, there is nothing to be done about it. Cite Arrow F. Scott Fitzgerald, Tender Is The Night
Tender Is The Night

An unfamiliar impatience settled over Dick; suddenly Nicole said: “It seemed too bad to leave Rosemary like that — do you suppose she’ll be all right?”

“Of course. She could take care of herself anywhere — ” Lest he belittle Nicole’s ability to do likewise, he added, “After all, she’s an actress, and even though her mother’s in the background, she has to look out for herself.”

“She’s very attractive.”

“She’s an infant.”

“She’s attractive though.”

They talked aimlessly back and forth, each speaking for the other. 

“She’s not as intelligent as I thought,” Dick offered.

“She’s quite smart.”

“Not very, though — there’s a persistent aroma of the nursery.”

“She’s very — very pretty,” Nicole said, in a detached, emphatic way, “and I thought she was very good in the picture.”

“She was well directed. Thinking it over, it wasn’t very individual.”

“I thought it was. I can see how she’d be very attractive to men.”

His heart twisted. To what men? How many men?

Receding from a grief, it seems necessary to retrace the steps that brought us there. Cite Arrow F. Scott Fitzgerald, Tender Is The Night
‘My politeness is a trick of the heart.’ This was partly true. From his father Dick had learned the somewhat conscious good manners of the young Southerner coming north after the Civil War. Often he used them and just as often he despised them because they were not a protest against how unpleasant selfishness was but against how unpleasant it looked. Cite Arrow F Scott Fitzgerald, Tender Is The Night
In the square, as they came out, a suspended mass of gasoline exhaust cooked slowly in the July sun. It was a terrible thing — unlike pure heat it held no promise of rural escape but suggested only roads chocked with the same foul asthma. Cite Arrow F. Scott Fitzgerald, Tender Is The Night